Roll Over Beethoven – Gene Vincent (1974)

Description

Additional information about this, Gene Vincent vinyl art.

Gene Vincent – The Artists

Vincent Eugene Craddock (1935 – 1971), known as Gene Vincent, was an American musician who pioneered the styles of rockabilly and rock and roll. His 1956 top ten hit with his backing band the Blue Caps, “Be-Bop-a-Lula”, is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and ’57, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961.

Roll Over Beethoven – The Song

“Roll Over Beethoven“ is a cover version by Gene Vincent of the 1956 hit song written by Chuck Berry. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The title of the song is an imperative directed at the composer Ludwig van Beethoven to roll over out of the way and make room for the rock and roll music that Berry was promoting. The song has been covered by many other artists, including the Beatles and The Electric Light Orchestra.

Ludwig van Beethoven – The Shape

This record is modelled into a silhouette of Beethoven. Ludwig van Beethoven (1770 – 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

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